Mohammad Khalid Akhtar: The Accomplished Writer

Published in Dawn, Karachi, Pakistan, in 2000

As you walk through him into the narrow, labyrinthine lanes of the old quarters of Karachi, past ramshackle shops shadowed by faded and worn-out signboards, enter dilapidated buildings with narrow wooden staircases, wrought iron balconies, arched windows, and peep into dinghy offices and residential quarters, a curious world opens up. A world as bright as a mid-summer day and as dark as a moon-less night, a world throbbing with life, a world full of people, ordinary people with extraordinary proclivities, dreaming special dreams, planning little things, reaching out to each other through transient strands of passion, love and hatred. You breathe in the air filled with their smells, tinged with their colours, intermingled with breathing of your companion, the writer, the guide who has taken a back seat and is trailing behind you in the expeditions he marked out for you with such a delightful innocence. Like a child who lets you have a peep in to his kaleidoscope, delighted to let you discover the bright, colourful shifting patterns, each a tiny distinct world of its own, made of splintered glass. The patterns that he has not created, the patterns that have existed since millenium but the pleasure of the discovery is entirely his own.

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Shafiqur Rehman: A weaver of real-life dreams

Published in Dawn, Karachi, Pakistan in March 2000 

Though I had read his books hundreds of times and looked at his picture at the jackets as many times, the only time I met him was in the summer of 1980 at his Westridge, Rawalpindi, residence. I had translated two of his humorous pieces and sent him the published clippings. Now I wanted to translate his most celebrated work—the long short story Barsaati. I had already started work on it. But I knew in my heart that I must seek his permission this time.

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